Snazzy English Blog

Sunday, April 25, 2010

Juliet's Soliloquy

Juliet

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- Scene 3-

Why must my mother baby me as so?

She and nurse, they never leave me be.

When I consent to every silly whim

I get tired of never any freedom.

And I pray that one day I will be free

Free from their reign; their decision making

Control over every aspect of my life!

My heart and mind and soul and strength want out,

My body longs to take off all it’s chains.

When will I reach an age when I can choose?

Choose the path of life I want to take?

I’m not so young and can think for myself

I shall not be content to let this go

But I must comply with all my mum says

So it is with a heavy heart I say;

Yes mother, I will take heed of your speech

And try my best to live up to your will

I will seek out Paris and will try

To love him best I can for what I feel

Please take note I may not do it right,

For I don’t feel love so strong quite yet.

But we will grow in life and love it’s true,

Until we understand each other new!

Tuesday, March 2, 2010

Hero

1) Call to adventure:
Shrek lived a normal life in his swamp until one day Lord Farquaard sends all the fairy tale creatures to live in his swamp. Shrek sets out to go and pick a bone with Farquaard, and eventually gets sent off on a mission to rescue princess Fiona, which he begrudgingly accepts.

2) A road of trials:
  • Ultimate goal to get his swamp back
  • Shrek has to fight off Lord Farquaard's men
  • Dealing with Donkey and the annoyance he presents
  • Rescuing the princess from the dragon
  • Deciding whether to tell Fiona about his feelings for her
  • Battling with his hurt from what he overhears Fiona saying about ogres being ugly
3) Achievement of the goal:
He regains his swamp, but in the end, he also wins back Fiona and defeats his enemy (Farquaard).

4) Return to the ordinary:
Shrek and Fiona ride away on the dragon, starting to live a new life together.

5) Application of the boon:
By spending time with Fiona, Shrek has become a more kindhearted creature and is able to apologise. He also learns that people are defined by more than just the way they look.

Tuesday, February 9, 2010

Waiting...

Shipwrecked. Can you imagine it? The desolate ship, lying destroyed, half submerged. The scullery rats who so graciously kept me company have succumbed to their frantic attempts of escape and lie exhausted, drowning in the swirling mass of everything around them. The grains of rice from the open bins, circling in the current, like flower petals on a pretty fountain; only, the stark reality of the situation forbids me from appreciating the artistic designs they form in the lead-grey slopping water. But it's not the floating articles of clothing that gets me down, nor the bottles of water, so carefully conserved to last the whole trip. Not even, surprisingly, the great volumes of literature, which were once wrapped so carefully in plastic, but as I glance over at the favorites, the ones that lay open on the desk, I see nothing more than a soggy lump of pages, the ink all run together; submerged by the torturous water. No, none of this shakes me, none so much as the noise. It is soul-rattling, the level of silence that this unsolved crime scene can produce: like heat from a boiling pot of water: the silence rises and flows through my body, infiltrating every place inside of me. How can I mistake it? I am alone.

The final straw of my rational being leads me wading across the quickly disappearing deck, towards the splintering wooden cabinet which holds the life raft. If only I had known, as I went on those final rounds before I set sail; that this dusty lump of plastic that I didn't even bother to check on could be my final hope, would I have at least open the cupboard and inflated it, in case of a hole? I reach the door, and tug on the rusty brass handle. A strange cracking sound is emitted, but it holds tight, like I am an impatient doctor, trying to pry a newborn out of the hands of its relived and adoring mother. With the water crashing onto the deck, swirling around my waist by now, I dig my fingernails into the cracks and try to pry open the wooden monstrosity which keeps me from my precious prize. My fingernail snaps, and blood flows gently from the tip of my calloused fingers, but I am in no mood to pay attention to pain. A final tug releases no results, and I smash my fists against the boards, venting my desperation and frustration. One of the boards gives a little, so I immediately start pounding on the rotting wood, trying to keep my head about me. Finally, I break through, and am able to use this opening to grab into, and force the opening of the door. To my relief, there, tangled around an ancient broom handle, lies the raft. I yank it out, and as I blow, now in desperation into the holes, I begin to panic.

The raft is fully inflated by the time the water is up to my chest, and I hurriedly, yet loosely secure it to the mast, as I half swim, half tiptoe across the deck again. Knowing that the cabin will be filled with water by now, I instead target the high ledge where the remains of a little experiment I had been trying out just a few days ago lay. I raise the body length mirror horizontally off the submerged table, and stand it on its frame, about 25cm sticking out of the water. Next, I fumble open the tank of the small kerosene lamp, shivering with the cold from the water, and soak a length of string in the oil. I tie this securely around the mirror, halfway in between the rapidly rising water level and the top. With bated breath, I slide open the box of matches sitting on the shelf. Breathing a sigh of relief at them still being dry, I strike one against the box. As it ignites, I hold it to the string. Once the string has burned out, I quickly splash the cold water on both sides of the mirror, and press down on the top, snapping it cleanly in two, just as planned. I allow myself a small, yet triumphant smile and toss the slice of mirror, which is small enough to carry now, gently into the lifeboat. After chancing another nostalgic glance around the deck, I suck in, and duck under the water to grab the heavy, soaking wet blanket from off the deck chair and heave it into the boat, to keep the sun off in the days I am anticipating ahead. I know that without it, the sun would burn me to a crisp, quite literally, within a few hours of tomorrow’s morning. Finally, I untie the raft, step onto the back of the deck chair and collapse inside.

Gently, yet unsure, I maneuver the raft across the deck, (which no longer seems like a deck, more like a cluttered swimming pool), over the sinking ridge and onto the open sea. The silence of my movements match the silence of the world around me, like a secret convoy snaking down a bush trail in the middle of the night. I reach of the side of the raft to fish out the last two bobbing bottles of water that I can see, and place them at the bottom of the boat, near the blanket. Then I sit tight, my knuckles white as I grip the mirror, waiting for the sun to finally set, and the moon to rise; to reflect its’ out shadowed, yet saving glow onto the face of my mirror. Just waiting.

Thursday, January 28, 2010

Faces

The faces that I would like to display to the world would include a face of confidence, a face of contentment, and a face of love.
These faces kind of describe my inside personality, or how I would like myself to be portrayed as. Confidence is a key component to assuring others that you have a self-esteem, and others are more likely to respect you if you display a sense of personal worth, as well as a value for the lives of others.
A face of contentment is important so that the world can see that I am happy and comfortable where I am currently in life. I wouldn't want anyone to have to worry about me, or to feel a burden of me, therefore, I would rather that they perceive me as someone who has things pretty much figured out. I would like to be someone who can take joy in the simple, as well as the majestic things in life.
A face of love is probably to most important, and key to my personality. I want the world to know, the people that I interact with, whatever I do; I do it in love for them. I wish that everyone could feel truly loved and full of worth. Through loving, I can express the way that I feel about people, what I would do for them, and my respect for them as a person and for their life. I would want people to see my face as a face of love so that they would have no doubt that i did, in fact, love them.

Tuesday, January 19, 2010

Slam Poetry

You know what I hate?

I hated writing this poem!

I hate being asked to write a poem,

about something I hate

It’s like scraping your fingernail across a chalkboard,

Like a mosquito in my ear all night long.


I hate the fact that there is hate in this world!

I hate the way that people search out hate,

who look for anything,

and blame anyone for what they are feeling;

hate!


If I’m going to be a peace promoter,

can’t I just write about something positive like happy little elves or sunny bright sunflowers??

Why can’t others think happy things too?


I hate it that we hate so much,

When we were put on this hateful earth to love.

Hate infiltrates everything that we see and do,

Everything that is good and holy and pure is transformed into negative emotions.


I hate hate;

that people hate things,

and hate other people too.

If you want me to hate,

then I hate you.


When writing this poem, I had to really get myself internally worked up to be able to produce results. I had previously written a poem, which took a long time to write, and the product was probably the worst I had ever done. I realised that this was most likely because I was not riled up over it at all; in the whole scheme of things, it wasn't really that important. This poem, however, is truth that I believe, and though I only spent about five minutes writing it, and though it is both hypocritical and ironic, it came from the heart. I 'm not sure if I would say that writing slam poetry is easier than writing any other type of poetry, because I always find it easier, with better results, to write poetry about things that I am passionate about. The slam poetry was also fun to present; if there was a subject that i was REALLY passionate about, I'm sure it could be very dramatically presented. =]]

Tuesday, December 1, 2009

Where I'm From

Where I'm From
By Tahlia Gobius

I am from the engine room,
from snowy gums and leaking tanks.
I am from the prickling of burrs in the soft wool.
(creaking ropes on the playground swings)
I am from the motorbikes in the distance,
from rusty iron
and floating dust sitting above the road

I'm from lemon syrup and the green room,
from bridges over creeks
From the scones and jam,
and the anzac biscuits
From the sweets after Sunday morning Mass

I'm from the daisy chains in the back paddock,
the clang of the ladder of the silo.
From the apples thrown to the possum
who took up residence in the broken canoe,
the sticks and bark constructed into huts with soft sawdust floors.

I am from the colourful bruises of a wombat hole,
from smashed windows,
in the car junk yard.
I'm from the broken axe with a splintered handle.
And the damp, limp body,
of the poisoned dog.

The snake once carved
and a pair of muddy shoes,
a bouncyball found at the back of a prickly bush;
sit in the bottom draw and await return.
I am from those moments--
such a very long time ago it seems--
and now I can't wait to experience it all again,
someday.

Sunday, November 29, 2009

Fragments

Delicate and intricate;
Intricate and fragile;
Fragile and smooth.

Great Strength;
Strong forces;
Forced memories.

Dreams shattered;
Shattered shards;
Shard splinters.

Broken smile;
Heart-broken;
Fragments.